Paco Pomet (Spanish, b. 1970), Dusk Attack, 2018. Oil on canvas, 51 x 66.75 in.
Paco Pomet (Spanish, b. 1970), Dusk Attack, 2018. Oil on canvas, 51 x 66.75 in.
Nokonoshima and Mt. Aso. Photographs from my residency in Japan.
Ella Webb
Me: *passes a blunt to the demon in my house* AHAAA gotcha bitch , that was laced with sage get the fuck out my house
Suran - Walkin’ [Docu-Film]
Women Artists Visibility Event: The Museum of Modern Art opens but not to women artists, NYC on June 14, 1984
Shot by Clarissa SlighDespite the increased visibility of women artists by 1984, most were not included in mainstream gallery or museum exhibitions. When the Museum Of Modern Art opened the exhibition the “International Survey of Painting and Sculpture,” with great fan fare, of the 169 artists chosen, all were white and less than 10 percent were women.
Women artists were incensed. The Women’s Caucus for Art and other women’s groups in the area organized to protest the underrepresentation of women artists.
Included in the photographs are Lucy Lippard, May Stevens, Linda Cunningham, Emma Amos, Sabra Moore, Sharon Jaddis, and Alida Walsh. The posters were pasted all over Soho, a vastly different place from the Soho of today.
Not a black hole, but a “molecular cloud” (known as Barnard 68) which is a high concentration of dust and molecular gas that absorbs practically all the visible light emitted from background stars. [4000 × 4000]
Jackpot Records on Hawthorne
October 17, 2015
Tsuneo Enari, taken from his exhibition, “Japan and its Forgotten War”.